If we did not laugh at the Turkmenbashi we would have to weep
Good David Remnick in the New Yorker:
Of the fifteen states of the former Soviet empire, Turkmenistan, just north of Iran, is the one that has turned out to be a cruel blend of Kim Jong Il’s North Korea and L. Frank Baum’s Oz. Not long after the Soviet collapse, in 1991, a former Communist Party hack named Saparmurat Niyazov became President-for-life, dubbed himself Turkmenbashi—Leader of All the Turkmen—and commenced building the strangest, most tragicomic cult of personality on the Eurasian landmass. Doctors there now take an oath not to Hippocrates but to Turkmenbashi; the month of January is now called Turkmenbashi; and in the capital, Ashgabat, there is, atop the Arch of Neutrality, a two-hundred-and-fifty-foot gold statue of Turkmenbashi that, like George Hamilton, automatically rotates to face the sun.
It is extremely difficult to get a visa. Journalists can visit only rarely. But imagine a society in which the ubiquitous, inescapable leader’s image (on the currency, on billboards, on television screens night and day) is that of a saturnine frump who resembles Ernest Borgnine somewhere between “Marty” and “McHale’s Navy.”
Niyazov is a leader of whims. He has banned opera, ballet, beards, long hair, makeup (for television anchors), and gold-capped teeth. He demands that drivers pass a “morality test.” At his command, the word for “April” became Gurbansoltan eje, the name of his late mother. Evidently, he prizes fruit: there is now a national holiday commemorating local melons. And, as if the shade of Orwell were not sufficiently present in Turkmenistan, Niyazov has established, despite an abysmal human-rights record, a Ministry of Fairness.
Rahim Esenov, a veteran of the Second World War, is unlucky enough to be a novelist and journalist under the reign of Turkmenbashi, and in February, 2004, he was placed under house arrest by the Turkmen security police. He was accused of smuggling eight hundred copies of his novel “The Crowned Wanderer” from Moscow to his apartment in Ashgabat. When the novel, which is set in the Mogul era, was first published, in 1997, Niyazov denounced Esenov for “historical errors.” After suffering a second heart attack, Esenov, who is seventy-nine, was taken to the hospital, but three days later he was removed for interrogation. The security police charged him with “inciting social, national, and religious hatred.” And Esenov had undoubtedly given further offense to the regime by sending periodic reports to the U.S.-funded Radio Liberty.
Esenov had every reason to believe that, like so many other members of the Turkmen intelligentsia, he would suffer for a long time. But when PEN American Center, the writers’ organization, sent word, through the American Embassy in Ashgabad, that Esenov had won its Freedom to Write Award and invited him to its annual dinner in New York, the regime, sensing an international scandal, relented and let him go.